Awesome Christmas Carol 2021

Because aggregate is basic now, Czechoslovak-American Baby Theatre (CAMT) absitively to go all-encompassing fantasy this year in restaging its abiding anniversary favorite, “A Christmas Carol, Oy! Hanukkah, Merry Kwanzaa, Happy Ramadan.” Longing for a common bout of actual venues (some of them are long-gone and broken down), the aggregation is staging a basic common bout December 19 to 30 to examination the production, culminating in a boastful afterpiece at Amphitheater for the New City–again virtually–on December 31. There are assorted performances on best dates; complete agenda follows below.

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Admission is chargeless to all the venues–both the absolute ones and the long-gone ones–but donations will be acquiescently accepted. To assets and appearance all performances, go to the Amphitheater for the New City website, www.theaterforthenewcity.net or https://tinyurl.com/y5jt8e76.

The appearance is advised for audiences age-old 5 to 105 and is an adjustment of Dickens’ archetypal with Old World accents and New World inclusiveness. Adapted, directed and reinvented by Vit Horejs, it appearance over 30 puppets by Milos Kasal including a quartet of Rockettes in Slovak, Moravian and Ruthenian folk apparel and anniversary songs in Czech, English, Hebrew, Slovak, Spanish and Swahili. The active time is 75 minutes.

The “pretend” out-of-town try-out performances at venues alfresco Amphitheater for the New City (many of them are continued broken down) will be created with basic backgrounds in the prologues.

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Although acceptance is chargeless to all performances, donations will be acquiescently accepted.

WHERE AND WHENOut of boondocks tryouts co-produced by J. P. Morgan, Andrew Carnegie and P. T. Barnum:

Sat 12/19:11 am Jan Hus Playhouse, NYC – addition by Vit Horejs3 pm Slovak National Theatre, Bratislava – addition by Katarina Vizina7 pm Madison Square Garden, East 26th Street and Madison Avenue – addition by Theresa Linnihan

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Thu 12/31/2020:A co-production of Amphitheater for the New City and Czechoslovak-American Baby Theatre3:00 pm Culminating achievement at Amphitheater for the New City, NYC – addition by Daniel Wilkes Kelly

This toy-puppet amphitheater caricature is a new booty on Charles Dickens’ archetypal with a few twists and digressions. Into the accustomed adventure is alloyed a hasty and adorable alloy of English, Jewish, African, American and Czech winter rituals and customs, all performed by over three dozen marionettes alignment in admeasurement from four to twenty-four inches as able-bodied as begin altar and toys. Mr. Horejs operates the accomplished casting of puppets, backed up by a alive chorus: an “a capella monumentale” choir of two women. The allotment is still set in Old London, but with Czech accents. Imagine that the accustomed account was told to you not by an English consecutive novelist, but by your Czech grandmother.

The breathtaking architecture uses elements of made-in-Prague 1920’s toy baby amphitheater donated afresh by Madeleine Albright and an identical set that Vit Horejs and his mother played with in their childhoods. The Bob Cratchit and Charwoman marionettes are from these toy theaters.

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There are apparition puppets by Vit Horejs and alien folk carvers and a Biscuit baby that has played an burglar in several CAMT shows. Set and apparel architecture are by aggregation affiliate Michelle Beshaw, a backstab Innovative Theatre Awards appointee (and ancient winner).

Singers of the “a capella monumentale” choir are Katarina Vizina (a displace from Slovakia) and Valois Mickens (West African/Celtic/Native American origin), abutting by the time-travel agency by the aboriginal choir members, Frances Divine and Gail Whitmore (2001-2006), and Judith Barnes and Hayden DeWitt (2011-14).

This assembly aboriginal appeared in 2001 at the Jan Hus Playhouse as the advance appearance of a “Magic of Czech Puppetry” festival. Its acceptance led to revivals in 2002, 2004, 2005, 2014 and 2019 (the aftermost one actuality at Amphitheater for the New City). Laurel Graeber (New York Times) alleged the appearance a “delightful anniversary collection that still hews carefully to Dickens’s account and additionally has abreast humor.” Revisiting the appearance in 2005, Graeber declared, ” Mr. Horejs’s 75-minute beatnik mix is consistently fun,” adding, “This is absolutely Dickens’s story, admitting Mr. Horejs’s access is hardly Victorian. Scrooge asks the ghosts whether he will get frequent-flyer miles, and back Fezziwig, Scrooge’s old mentor, appears, he is singing ‘The Dreidel Song.’ (He explains that his ancestors name was originally Feinstein.) In Christmas yet to come, Scrooge’s tenants bless actuality chargeless of him with Hebrew songs and menorah-lighting. At one point, a huge biscuit baby arrives.” Back the assembly was presented by La MaMa in 2014, Kelly Aliano (NY Theatre Wire) wrote, “‘Christmas Carol’ is absolutely what an admirers would appetite from a anniversary show. It tells a accustomed account with an added twist, it reminds us about the spirit of the season, and it puts a smile on the face of alike the scroogiest of spectators. There is no acknowledgment of Tiny Tim’s best acclaimed line, but the all-embracing accent of the appearance makes anybody advantageous abundant to accept apparent it feel absolutely adored indeed.” Joel Benjamin (TheaterScene.com) alleged it “a auspicious affected haven in the anniversary arid of over-ripe TV films, ample Broadway musicals and the Radio City Christmas Show.”

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Awesome Christmas Carol 2021 – christmas carol
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